It’s not the suffering it’s the weight of air and light. Damnation: constant rain makes gleaming circumstances of the building-angles, planes of walls. Here the constant is the wind, a perversity blowing your hair the wrong way in your eyes, space is the texture you resist, why don’t you tie back your hair why are you wearing such a long loose coat? It’s not the suffering it’s the weight of air and light. Damnation: constant rain makes gleaming circumstances of the building-angles, planes of walls. Here the constant is the wind, a perversity blowing your hair the wrong way in your eyes, space is the texture you resist, why don’t you tie back your hair why are you wearing such a long loose coat?

And time. Eli Faure, 1922: “le cinéma incorpore le temps à l’espace.” No. “Mieux.  Le temps, par lui, devient réellement une dimension de l’espace.” Duration enters as a constitutive element of space, so nothing can endure except while it endures routine. Table made for durability, barn of a house for durability. That’s not a plate you eat from it’s a serviceable piece of time and made to last. If you don’t blow away you’re there until you ruin like a town

 

Can you find your way backward from duration into another space, plasticity? The horse moves forward and the man moves forward but if the camera slips into the ditch and the moving fog intervenes, then history is going on without you or until you catch back up. The Werckmeister Harmonies: spin until they kick you out there’s nothing for it. Resistance is a counter-movement of the body. When the body stiffens there’s the unencumbered eye, the steadiest delirium of looking

 

Darkness gathers once or for all, you know how always the eye ends. Still, in the beginning was an intervention: the spaces between chores are time spent looking out the window, materials of all collected work and days of work become repositories of time and texture. On the second day she hangs a shift to dry it sticks against the camera lens: impassive canvas, an impassive canvas. A plane and made to last a while unblinking. Finally the interval of looking is a rescue and a transformation (of the chore) (as the chore)

 

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